Preview

Step 1: Create the Metal Casing

Set up the Illustrator artboard so that it is 500x500px in size.

Create the Metal Casing

Select the Ellipse Tool (L) from the Tools Panel. Hold Shift and drag out a circle.

Apply the linear gradient as shown below.

Create the Metal Casing

Now we need a smaller, white circle. Copy the first circle (Ctrl/Cmd + C) and then paste in front (Ctrl/Cmd + F). Scale the copy down a bit and then set the Fill color to white.

Duplicate (Ctrl/Cmd + C and then Ctrl/Cmd + F) the circle from the previous step. Scale it down a little bit and apply the radial gradient as shown below.

Move the gradient 1px to the left, which will create a small edge highlight on the right.

Create the Metal Casing

Copy the inner circle and paste in front. Scale it down a little bit, remove the copy’s Fill color and then set its Stroke Weight to 2pt.

Create the Metal Casing

Now we have to expand the path in order to apply a radial gradient onto the object. Select the circle and go to Object > Expand.

Create the Metal Casing

Apply the radial gradient as shown below. This part is going to be a shiny edge on the metal casing and the white parts of the gradient are highlights caused by our light source.

Create the Metal Casing

We need a smaller circle that has a white Fill color. Copy the innermost circle and paste it in front, then use the image below as a reference in order to scale it down to the appropriate size.

Create the Metal Casing

Make sure you still have the white circle selected, and then go to Object > Transform > Scale. In the Scale dialog window, set the Scale to 99% and then press the Copy button. This way, we will create a circle that’s slightly smaller.

Create the Metal Casing

Apply the radial gradient shown below to the new circle.

Create the Metal Casing

Duplicate the last circle we’ve just made and scale it down a bit. Set the Fill color of the duplicate to a very dark gray (#231F20).

Create the Metal Casing

Group all the elements we’ve made so far by selecting them and then going to Object > Group (Ctrl/Cmd + G).

Step 2: Create the Stopwatch’s Increments

With the stopwatch’s case finished, we can move on to the analog display of the stopwatch. The first thing we will create are the increments on the stopwatch that tells its user the time.

Create a circle that is a little bit smaller than the circle from the previous step. Remove the Fill color and set the Stroke color to white. Properly align this circle using the Align Panel (Window > Align) to align it vertically and horizontally.

Create the Metal Casing

We need to create 12 increments to start; these will be the major increments. Grab the Line Tool (/) from the Tools Panel and create a small vertical line. Align the line with the rest of the stopwatch through the Align Panel using the Horizontal Align Center button.

Create the Metal Casing

Hold down Alt/Option + Shift, select the small line we’ve just created, and drag it downwards to make a copy of it. Move the copy to the desired location.

Create the Metal Casing

Select both lines and group them (Ctrl/Cmd + G). Go to Object > Transform > Rotate.

Create the Metal Casing

Since we need 12 increments, we have to calculate the angle for the rotation.

Create the Metal Casing

In the Rotate dialog window, set the Angle to 30o and then press the Copy button. It will make a new set of lines, but rotated 30o from the original angle.

Create the Metal Casing

Repeat the exact same rotation transform by going to Object > Transform > Transform Again (Ctrl/Cmd + D). Repeat this transform until you create all 12 increments.

Create the Metal Casing

Now we need smaller increments for each second on the stopwatch. The process is quite similar; we just need to make a few changes in the size of the lines and the rotation angle.

Since one minute has a 60 seconds, it means we need 60 smaller increments for each second.

Let’s ungroup (Shift + Ctrl/Cmd + G) the first pair of lines we created. Now duplicate the upper line and make the duplicate slightly smaller by scaling it down. Hold down Alt/Option + Shift and drag downwards to duplicate the smaller line. Group both lines (Ctrl/Cmd + G) and then go to Object > Transform > Rotate. Set Angle to 6o and hit the Copy button.

Create the Metal Casing

If you hit Ctrl/Cmd + D 28 times, you will complete the whole circle.

Create the Metal Casing

Now we need even smaller increments. Since the number of increments we need is 300 we have to calculate the angle of rotation again, which comes out to be 1.2o.

Repeat the previous process, but make the line shorter and reduce the Stroke Weight to 0.5pt to make it thinner.

Create the Metal Casing

Once complete, this is what the increments should look like:

Create the Metal Casing

Step 3: Creating Numbers on the Stopwatch

Now we have to add numbers for the increments to make the stopwatch more readable to the user.

Select the circle with the white stroke and duplicate it. Scale down the copy a little bit.

Creating Numbers on the Stopwatch

Grab the Type on a Path Tool, which you can find by clicking-and-holding down on the Type Tool in the Tools Panel. Click on our path and type numbers representing seconds. Align them with the major increments.

Creating Numbers on the Stopwatch

To add some flare to our stopwatch, you can select the lines of the major increments, set their Stroke to 2pt and change their colors to orange.

Creating Numbers on the Stopwatch

Feel free to try different looks for the stopwatch. Change the colors and add (or remove) some elements.

Step 4: Create the Needle

Now it’s time to create a needle that tells us the time.

First, we need to establish the center of the stopwatch. To do that, we will need rulers, so go to View > Rulers > Show Rulers (Ctrl/Cmd + R) to turn them on if they’re not enabled yet.

Creating Numbers on the Stopwatch

Click-and-hold on the rulers at the edge of your workspace and then drag your mouse towards the center of the stopwatch to create guides (as shown below). This would be easier and more precise if you had Smart Guides turned on (go to View > Smart Guides to enable the feature).

Creating Numbers on the Stopwatch

Now we have to draw the needle. Grab the Star Tool from the Tools Panel and click once on the artboard to reveal the Star dialog window. In the Star dialog window, set Points to 3 to create a triangle.

Creating Numbers on the Stopwatch

Switch to the Direct Selection Tool (A) from the Tools Panel, hold down Shift, select the upper anchor point of the triangle, and drag upwards. Use the Delete Anchor Point Tool (-) to remove the anchor points as shown below.

Creating Numbers on the Stopwatch

With the Ellipse Tool (L), create a small circle and place it over the needle. Align the circle and the needle using the Horizontal Align Center command in the Align Panel.

Creating Numbers on the Stopwatch

Change the Fill color of the needle to white. Create a smaller circle and place it perfectly at the center of the first circle.

Creating Numbers on the Stopwatch

Now we need to place the needle at the center of the stopwatch and that is the reason we had to establish the center of stopwatch using guides earlier on.

Creating Numbers on the Stopwatch

Step 5: Creating a Smaller Timer

Let’s create another timer, but this time, a smaller one. The process is similar to Step 3 and 4. Create a circle with a white stroke. Place it on the black surface. Create the increments. Add the numbers.

Creating a Smaller Timer

You can create a timer with various kinds of increments. Just calculate how many long and short increments you need. Then you have to calculate the angle of rotation. Don’t forget to create a needle for this timer as well.

Creating a Smaller Timer

Group all the objects we’ve made once you are finished.

Step 6: Creating the Buttons

Grab the Rectangle Tool (M) and create a rectangle. Apply a linear gradient to the rectangle as shown below.

Creating the Buttons

Create another rectangle and apply the same linear gradient. Align both rectangles using the Horizontal Align Center command in the Align Panel. Select both rectangles and group them (Ctrl/Cmd + G). Duplicate the group. Scale up the duplicate and then place it on the top of the stopwatch. Align it with stopwatch using the Horizontal Align Center command in the Align Panel.

Creating the Buttons

Switch to the Line Tool (/) and draw 2 vertical lines. Select them both then go to Object > Blend > Make.

Creating the Buttons

In the Blend dialog window set Specified Steps to 35 and then press the OK button.

Creating the Buttons

Place the lines on top of the new object.

Select the other copy of the object we made. Go to Object > Transform > Rotate and rotate it 45o.

Choose Object > Transform > Reflect, select Vertical in the dialog window, and then press the Copy button. Move the rotated copy to the right side.

Creating the Buttons

Select both objects, group them (Ctrl/Cmd + G) and place them on our stopwatch.

Creating the Buttons

Step 7: Creating the Glass Reflection

We are almost done. Now we just need a reflection of a window on the glass cover. It is very simple to create.

For this step, we have to ungroup our stopwatch because we need to duplicate one of the circles we made earlier.

Select the black circle and duplicate it. Remove the Fill color and set the Stroke color to pink (or something else, it doesn’t really matter which color, just so long as we can see it).

Creating the Glass Reflection

Grab the Direct Selection (A) Tool from the Tools Panel and remove the anchor points as shown in the following image. Switch to the Pen Tool (P) and draw the shape of the window reflection.

Creating the Glass Reflection

Deselect the shape (Select > Deselect) and draw the two paths shown below.

Creating the Glass Reflection

Select both paths and then go to Object > Expand.

Creating the Glass Reflection

Now select all objects associated with the glass window reflection and, in the Pathfinder Panel, press the Minus Front button.

Apply the radial gradient shown below to the window reflection and lower the layer’s Opacity to about 39%.

Creating the Glass Reflection

Tutorial Summary

This concludes our tutorial. We used fundamental Illustrator techniques such as using the shape tools to draw objects, using its powerful transform commands, and taking advantage of the high level of control it gives us when making color gradients and object blends.

Feel free to get creative and try other looks for the stopwatch. Change the colors and shapes, for example. You can achieve great results using the techniques described in this tutorial. Thanks for reading!

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Author:

Jasmina is a freelance graphic designer from Serbia. Her passion is in vector illustration and motion graphic design. One of her favorite things to do is creating icons in Adobe Illustrator. In her spare time, she likes to read comic books and listen to 60s music. Check out her portfolio website, muschmule. Also follow her on Twitter @muschmule.