10 Photography Tips for Better Party Photos
Taking photos at parties, or any social event for that matter, can be tricky but fun! In this article, I’ll share some of my most guarded techniques for taking awesome event photos. If you’re in charge of taking photos at your next holiday party, Christmas party, birthday party, office party, or any other type of social event, these tips will hopefully help you get better and more interesting event photography shots.
Introduction
Those of you who’ve been coming to this site for a while might already know that I take photos professionally. When I’m not working on Design Instruct, I work as an event photographer, so I’ve covered more than my fair share of parties and events.
In this article, I’ll assume that you’re already familiar with the basics of photography. If not, whenever you encounter a term or concept that you’re not familiar with, check out this overview of Photography-related topics on Wikipedia.
With that said, below are some photography tips to keep in mind at your next social event.
1. Add Depth to Group Photos by Not Shooting Dead-Center
When I first started taking photos of groups of people, I noticed that they tended to arrange themselves into a straight line, shoulder-to-shoulder, as though they were taking a class photo. Or, if people were sitting on a couch, they would always expect me to take their photo from dead center. And, in my experience, these situations often end up in a boring photo (at least in my book).
In a dynamic and fast-paced environment such as a party — with lots of people and not enough room or time to have a group arrange themselves into an interesting configuration — it’s the job of the photographer to make the shot more interesting.

From my experience, a step to one side from the center of the group will impart a feeling of depth to a group photo. This happens because one side of the group will be closer to your lens, thus adding depth and creating a more captivating composition. Try it out!

2. Create Interesting Photo Effects with Jaunty Angles
A jaunty or canted angle (also known as a Dutch angle, among several other terms) is a photography technique that you can use to develop an aesthetically-pleasing composition from an otherwise dull scene. Jaunty angles give your photos a feeling of being dynamic and alive.

Using jaunty angles is tricky because it can add a feeling of confusion to a photo if you don’t keep the composition in mind.
However, once you get the hang of it, it’ll add a really great effect of making your photos look livelier and full of fun — and that’s exactly what we want when we’re snapping at parties.
In addition, I find that you’ll often be able to get the best angles of your photo subjects using jaunty angles.

In a nutshell, I like to pick a focal point in a photo that I want to highlight. Then, I keep that focal point level, tilting the camera accordingly.
For instance, if I find someone’s eyes attractive, I’ll use that person’s eyes as my focal point. I’ll align their eyes so that they’re level, while the rest of the photo isn’t.


Sometimes I’ll see photographers just tilt their camera to one side without really keeping the composition in mind, making their photos look disoriented and unsteady. Through my own trials and errors (and there have been many), I’ve come to the conclusion that there’s a right way and wrong way to use jaunty angles: It’s not enough to just tilt your camera to one side.
To learn more about jaunty/Dutch angles, check out the following links:
- Dutch Angle Photography
- Flickr group with examples of dutch angles
3. Try Using Props
This is always fun. People seem to love this and it often brings the party together. In my experience, props can be anything from a hat, funky glasses or a fake mustache.

For instance, In a Halloween event I was shooting, I printed out business cards with different kinds of "smiles" on the back of them. Then I had people hold it up to their mouths as a sort of impromptu, quasi-costume.


At first, people didn’t really know what to make of them, so I would say, "Hold it up to your mouth!" And when they start getting it, most would react somewhere along the lines of "Ohhhhhh! That’s awesome!" That reaction is a great thing to capture in a photo.
Another example: I often wear unique glasses in shoots, and sometimes people will come up to me just so they can take a photo with my glasses on them.

No matter what prop you choose, don’t force it. You don’t have to use props. But if you have a good idea, people will love it and your photos will have that little something extra to make them that much more memorable.
4. Take Portrait Shots (Even at Parties)
I sometimes take portraits of people I find interesting at parties. Anyone who looks interesting or unique, I’ll pull them aside and do a quick "photo shoot" with them.
The trick is to make them comfortable enough in front of your lens that they let you capture them in an honest moment. If they’re having fun, it’ll show. If they’re having a bad night, they’ll let that show too. It’s about attitude and emotion, and if they trust you, then you’ll be able capture these things.

These mini "photo shoots" literally last for only a few seconds. I say "Hi." I tell them I want to take their photo. And if they let me, I let them do their thing in front of my lens.
Taking portrait shots of people you don’t know demands a little more from your social skills than just being able to point and shoot. You’ll be surprised at how difficult it can sometimes be to single out a person from their group of friends, especially if they don’t know you very well (or at all).

5. Always Be Ready for Candid Shots
Candid shots in social events are tricky to capture because bringing a camera into a scene automatically changes peoples’ behaviors and how they conduct themselves. So, it becomes hard to get good, honest, candid moments. This is especially true in environments where people are aware that there’s someone taking photos.

The trick is to let them get used to your presence and then, when the time is right, snap away! I realized this through street photography when I was still in the beginning stages of taking photos; I soon discovered that a big DSLR camera can change the scene and the mood.

However, there will always be moments when people forget you’re there, even if it’s just for a split-second, and they’ll let themselves go a little bit.
Be ready for these pockets of candid moments and capture it with your camera.

6. Always Look for Action Shots
Look for the action! People dancing, people clinking their drinks, food being served, and so on. This all makes for interesting photos.

A photo will always be still. That’s what makes it special. It’s literally just a split-second of light captured in your camera. However, that doesn’t mean that a photo can’t be lively!

Be mindful of the movements of the party. Where are people walking around? Where are the people dancing? Who is the liveliest group of the party?
7. Shoot in RAW Image Format (If You Can)
This is more of a suggestion. You don’t have to shoot in RAW format to get good photos. In fact, it’s more work for you during the post-production stage if you shoot in RAW format.
However, with the changing light conditions of a party and its fast-paced nature, it doesn’t hurt to be able to make adjustments that you wouldn’t otherwise be able to do with the JPEG image format. Things like white balance and exposure are very hard to correct (if at all possible in the first place) in JPEG format.
I know many professional photographers who don’t shoot in RAW for the events they cover. They just try to capture everything in-camera and it works for them.
But for my personal shooting style, I’ve found that taking snaps in RAW gives me a little more flexibility and a bigger margin of error that allows me the opportunity to compensate for my terrible technique later on.
8. Hand the Camera to Someone Else
Sometimes, letting someone else take a photo can add great dynamics to your photos. If your task is to document the party, then what better way than to let someone else’s perspective take over for a more rounded view of what happened? After all, two pairs of eyes looking through the viewfinder are better than one. (Of course, you must trust this person to not drop or break your equipment!)

The beauty of letting someone else take photos is that people will react differently to the person behind the lens.
For example, ask a really pretty girl to take photos, and you might get different reactions from the guys at the party. Have a very tall person take a few snaps, and you’ll get a different viewpoint.
And it’s not even just for the people in front of the lens. Sometimes, if you hand your camera to one of your shy friends, it will force them to interact with people and change the dynamic of the party for him or her!
I’ve found that I take pictures a certain way. I stand in a certain way. I frame my subjects in a certain way. I hold my camera in a certain way. Therefore, my photos are pretty distinct from someone else’s work. If you hand over your camera to someone else who might do things differently, the photos will also be a little different and maybe you’ll even learn something that you wouldn’t have if you had stuck with your own way of taking photos.
9. Observe the Party as a Whole
Capturing the party on camera isn’t just about the number of photos you take. It’s about a feeling. It’s about the moments that people share.

Sure, maybe not everyone will know each other. Not everyone will interact with everyone else. And it’s very easy to think that an event is just made up of these small pockets of closed-off groups of people.
But you have to realize that everyone at the event has one thing in common: they are at the same place looking to have a good time.
Thus, one of your tasks as a photographer is to connect these groups of people into one cohesive gathering.

I think a lot of photographers make the mistake of thinking that they should just snap away and hope for the best. However, you won’t really capture what happened at the party if you think about the photos as a series of disjointed, isolated moments.
The party happens as a whole and therefore you have to treat it as such.
10. Have Fun!
If you’re not having fun, the people you choose to put in front of your lens won’t have fun either, and it’ll show in your photos.

As the photographer for an event, you’re one of the few people (along with the host) who has to constantly move around the party to see and interact with partygoers. This makes you extraordinarily visible.
You have to make people feel at ease and welcome at the party. You can only really do that if you’re having fun as well.
So remember to put on your happy face and be friendly.
Bonus Tip: Listen to the Music!
If a party has music playing, listen to it. I always think of the music as the heartbeat of the party. It gets faster as more people get excited. It slows down and mellows out as the night comes to a close. It’s the rhythm with which I choose to work.
Therefore, I like to pay attention to the DJ. I pay attention to breaks in the beat. I listen to the choruses, the verses, and the moments in a song that gets me excited because, chances are, the rest of the party will feel the same way.

And when that beat drops, when the chorus comes in… I shoot away because I know people will be doing something awesome!
‘Tis the Season
As I like to say: In parties, people will come and go, the music will fade, and the lights will dim, but, at the end of the night, one thing will always remain: our memories. Make them count.
As the holidays get into full swing, we’ll all be coming together in our respective houses, offices and clubs to celebrate with each other. We’ll throw and attend some very cool parties, be with family members we haven’t seen all year, and the cheer and merry-making will just spread like wildfire even if we try our hardest to deny it.
This is the most wonderful time of the year for a lot of us. What better time of the year than now to take photos?
Happy holidays from your friends at Design Instruct.
More Photography Tips
If you want to read more photography tips, check out the following articles here on Design Instruct:


29 Comments (Add yours)
Mark
Dec 25 2011
hey Ike, cool article but did you purposefully leave out any tips on settings, like iso, aperture and shutter speed? I’m an amateur enthusiast and love to take shots at events, but always get blurry out of focus shots, with too much or too little flash exposure. I’ve experimented quite a bit, and have become better, but would love to hear your thoughts! cool thanks man
Isaac Gube
Dec 25 2011
Editorial Team
Mark,
To be honest, I did purposely leave out tips on camera settings. The way I approach exposure basically boils down to this question: “what do you need out of a photo?” If you know the answer to that question, you’ll know exactly what you need to do. There is no magic number. It is about what you want as a photographer.
You must remember, the camera is just your tool. It’s just like a pencil to an illustrator. Or a hammer to a carpenter. Or a brush to a painter. And just like everyone else, you have to learn how to use your tool. Learn its quirks, its strengths, and its weaknesses because at the end of the day, photos are just as much about the photographer behind the lens as it is about the subject he chooses to put in front of his lens. Photos will never be about the camera (even though camera manufacturers would want you to think so.)
But if you really want to know my thoughts on settings, it’s this: “f/8 and be there.”
Merry Christmas! :)
Isaac
Shaun Mclain
Dec 26 2011
Nice photos, thanks for sharing.
Cosmin
Dec 28 2011
Thanks for sharing this.
In my spare time I’m a event photographer and I found this very useful!
Greetings from Romania.
Long live the internet.
DS
Dec 28 2011
I really liked your article as I think it’s more about the approach of taking pictures (like you have mentioned it above) than the camera or its settings. Most of you’d say camera is important too, yes it is, but if I have the most advanced camera in the world but no artistic approach I won’t be able to caputre those moment as brilliantly as someone like Isaac. Thank you very much Isaac.
trent rampage
Dec 28 2011
Ike –
another way to add depth would be to play around with the flash. i’m a big fan of playing with light and darkness and shadows.
another good way to take party photos so that it dont appear boring (ie when people arrange themselves together) is to make them do crazy shit. sometimes i dont even wait to ask – snap before they get the chance to finish re-arranging themselves and then snap again after they’ve arranged themselves.
paying attention to the dj is good too: thats why dj shots are great to summarise the party athmosphere. in front of the dj booth when there’s loads of people dancing is the best spot for a photographer.
what do you think of these party photos i took?
http://www.bad-fotography.co.uk/2011/02/in-photos-deathray-leeds-end-of-an-era-18th-feb.html
http://www.bad-fotography.co.uk/2011/03/deathray-leeds-dfusion-18th-march.html
http://www.bad-fotography.co.uk/2011/09/in-photos-crosswave-2nd-september-leeds-bar-room-bar.html
ps: for party photos the camera DOES matter. the better looking and bigger the camera, the more people want to you to take photos of them. i was at a VICE party once with all these photographers – you could tell which photographer got the most attention.
happy new year!
Isaac Gube
Dec 29 2011
Editorial Team
The camera i used to shoot with was a nikon d40 and I used the on-camera flash. I used that camera at events for so long. People don’t care. The only people who care about their cameras are photographers.
The reason that photographer with the big camera got so much attention was probably because his camera was the biggest and easiest to see. That’s the only reason. Or he might already be a famous shooter.
Also, it really is about the attitude of the photographer taking photos at parties. You can’t expect people to react to you. You have to give them A REASON to react to you. And it’s not enough to just have a camera. You have to have the personality too.
I looked at your photos. They’re good. Keep shooting.
Prashant
Dec 30 2011
Hey thanks for these great tips. Its like an wiki of how to photograph parties. I will definitely use these tips.
Jeff Ellis
Jan 01 2012
I’ve used your photography tips over the last few days and it made a noticeable. Thank you! – Jeff Ellis
Brandon
Jan 12 2012
Hey, thanks for the link! Very nice site you have here! I’ll be sure to follow!
T
Oct 13 2012
Thanks for the tips bro
Jiyoung
Oct 17 2012
Hi. I really enjoy your posting. Can I use flash when I am in the party? I always worry about the angle of flash(90 or 45 degree…) and about that it might bother others. Also, I want to take picture of whom I totally don’t know.
Can you give me an advice how to approach to a person? (for example, street shot)
Isaac Gube
Oct 23 2012
Editorial Team
Jiyoung,
The best advice I can give when it comes to flash is to ask you what kind of photos do you want to take? Bouncing your flash towards the ceiling or onto a wall gives you a different kind of light than if you pointed the flash directly at your subject.
As for taking photos of people you don’t know, in a public space (i.e. a party, the street, a park, etc.) you are free to take photos of anyone you want unless they object. If they don’t want you to take their picture, usually they’ll say something. Also, always smile at your subject if they look back at you. It shows that you are non-threatening and that you won’t use their photo in a malicious manner. If they ask you to delete it, then you should just delete it. Taking photos of people can be very intimidating at first but you will get more comfortable doing it as time goes by.
Cheers!
pavlova
Nov 02 2012
hello bro what about, shooter speed, aperture, flash power inside a party with low light, and different lightning.??????
Katie J
Nov 09 2012
Thank you so much for this!! I have a big passion for photography, esp. event/street photography, however am just learning. This post will help me when I cover my work’s Christmas Party (dinner/dance for approx. 150 ppl) next month! Loved your photos as well :-)
Jacquie
Nov 14 2012
Is your flash on camera?
Brian
Dec 16 2012
Hi thank you for these tips. I find focusing in very low light difficult. How do you overcome this. I too would like to know aperture settings etc.
Isaac Gube
Dec 17 2012
Editorial Team
Focusing in low light will very very hard without the assist lamp. Most speedlights/flashes have this feature (the red or green light that shines on your subject). However, the trouble with those focus assist lights is that if you use too many autofocus points, you camera will still have a hard time focusing on what you want to focus on when you are shooting in extremely low light conditions. Try using only the center autofocus points of your camera.
I tend to set my aperture between f/6 to f/9 to keep everything sharp while still letting in enough light from the background to set the context of the photo. Check out my photos at http://www.facebook.com/yestothenight to see what I mean.
Rebecca Holman
Feb 10 2013
I am a also amateur photographer. The pics I take usually look great and everyone comments but I do struggle with the settings at times. I prefer to shoot in natural light but have been asked to take photos at a indoor party with fluro lights. I am a bit nervous about the flash. I saw you mention to use the f/8 which is great thanks. My flash is just the one built into the D90. Do you have any tips? Your article was excellent and made me feel alot more confident. Thanks.
Isaac
Mar 31 2013
Rebecca,
Why are you nervous about the flash? Flashes are just light sources. It’s all about how you use it and what kind of photos you want to get. Try it out!
There are some light diffusers you can buy for your built in flash. I used to use one until i decided to get a dedicated speedlight. The photos in this article were all taken with a speedlight.
Cheers!
Bernadett Pava
Mar 02 2013
Thanks Isaac for the tips and guys for the comments, helped me a lot! Amazing ideas!!
deborah griffin
Mar 28 2013
I am going to shoot an imtimate engagement party at a pub that is not well lit. The couple is decorating with mason jars filled with votives to add to the lighting. I HATE flash and shoot in natural light 99% of the time…. am I going to be able to get good photos in low lighting with candles and if so do you recommend me shooting in AV, M, P, or TV etc? and you said f/8 is a good setting? what about ISO etc?
Isaac
Mar 31 2013
Deborah,
Without a good light source, you’ll have a tough time focusing in low light. However, if you’re intent on shooting without a flash, you’ll need to get a really fast lens (i.e. f/2 and below) and you’ll need to raise your ISO and maybe even slow down your shutter. It all depends on what kind of photos you want to get, however.
Also, you don’t need to HATE flash. Flash is good. It all depends on how you use it. There’s some very creative ways to use a flash gun. Try it out! A good place to start strobist.blogspot.com
Samantha Milligan
Apr 02 2013
Hey! I’m an event photographer from England and I read this post and was wondering if you could take a look at some of my stuff? Your opinion would be awesome :) Thanks!
https://www.facebook.com/SMilliganPhotography
Srini Vasan
Apr 04 2013
First of all, WOW!! that’s an awesome article, Thank you.
Further, I’m quite good at outdoor photography, but i am not that good at indoors and parties, you had mentioned that we could use f/8, but when i used even f/16, i got blurry and shaken images, albeit without flash. Will flash help , if yes, camera flash or speed light, if speedlight, on the subject or bouncing off the ceiling or wall. I have to cover a major party soon, it has more of these disco lights, your suggestions would be very valuable
Thank you
Sahar
Apr 12 2013
then raise your shutter speed … 60 is about right for most scenarios
Srini Vasan
Apr 04 2013
Oh, my bad, I misunderstood f/8 to be shutter speed of 1/8, what is the shutter speed that you recommend?
Paul Noiz
Apr 28 2013
Hey thanx for sharing your experiene!
I have a difficult time getting quick focused shots, what could I do to get abetter feel in how to handle the cam or is it just taking looots of pics till I get it done more quick/accurate?
TITUS MBANDI
May 11 2013
Its so interesting and enjoyable taking snaps at events. With digital camera, Laptop or a Desktop Computer and a printer you can make handsome money very easily, trust me. Just have confidence and work harder, understand your target then remember you are there for business. Instead of printing their photos, upload them to their facebook albums, but this will cost you internet bundles even tho cheaper than printing. thanx